Jasper Morris Inside Burgundy (92-94)

Medium to deep purple, beautifully ripe, so much going on, plump lush raspberry but never losing its thread, more character in this warmer vintage rather than drying it. This is a very good Clos de la Barre, as good as I can remember. Tasted: November 2021

James Suckling (95)

This is layered and creamy with dried apricot and lemon curd with some candied lemon as well. Medium to full body, with lots of tangy fruit and crisp acidity. Lemon tart and sea shell undertones. Drink or hold.

Decanter (95)

Gorgeous rich dark purple in the glass. Quite jammy and concentrated on the nose, heady and perfumed with a lovely delicate florality to it too. Great freshness on the palate, juicy but a dark blackcurrant and cherry fruit juice. Beautifully balanced with integrated tannins and oak. Well defined fruit, generous and quite abundant against softly grippy, velvety tannins that just give support to the overall frame. It's serious but with a lightness of touch and playfulness - energetic and lively but still with depth. A great Alter Ego and confident winemaking on show.

James Suckling (97)

So much blue fruit such as blueberries and blackberries; the purity of the fruit is incredible. Essence of cabernet sauvignon. Full-bodied yet with focused and fine tannins. Forceful but focused and polished. Needs two or three years to come around. And then enjoy for years afterwards.

Vinous - Antonio Galloni (98)

The 2021 Bolgheri Superiore Guado al Tasso is a very beautiful wine, but also quite a departure from the style that made it famous years ago. Readers will find an especially polished Guado al Tasso, a wine that emphasizes finesse more than power. Silky tannins wrap around a core of black cherry fruit, licorice, spice, mocha and new leather. Bright, saline undertones extend the exquisite finish. There's more Cabernet Franc in the blend these days, and that very much comes through in the wine's crazy aromatic presence and feel. The 2021 spent 16 months in wood, three months in used French oak barrels during the malolactic fermentation and then 14 months in barrel (80% new) for the rest of its aging. Gorgeous.

Wine Enthusiast (93)

With seven years bottle age, this Champagne has softened and filled out. From vineyards on the north side of the Montagne de Reims and some fruit from the Aube, the wine has richness and a generous character. In its bottle with Ace of Spades embossed on it, the wine is just right and is ready to drink.

Burghound (93)

A discreet application of wood frames pure aromas of red cherries, just turned earth and a floral top note. The supple but racy middleweight flavors aren't quite as concentrated but they're finer with retaining good power on the sour cherry-inflected finale that delivers excellent length. Lovely and a wine that should also repay mid to longer-term keeping.

James Suckling (94-95)

This is classically structured with a wonderful finish of extremely polished tannins and an ultra long finish. So much blackcurrant, spice and cedar. Seamless. 70% cabernet sauvignon and 26% merlot, the rest cabernet franc and petit verdot.

James Suckling (99)

What intense aromas of cherries and raspberries! Then it turns to flowers and orange peel. Roses, too. This is really full and powerful with layers of ripe tannins. It’s super fine-tannined, but shows wonderful length and intensity. A great expression of Lamole in Chianti Classico with ancient vines. Some older than 100 years. Best ever? Superb. Try after 2024 and onwards.

James Suckling (98)

A very beautiful and thoughtful Testamatta with aromas of earth, terra cotta, black tea, and lavender. Full-bodied, very layered and extremely polished with superb, soft tannins. Racy and very long. Muscular and formed but very, very balanced. Gorgeous richness and depth. Shows balance and wonder. Try in 2020.

Matthew Jukes (19+)

Made from 55% Chardonnay (Chouilly, Avize, Mesnil-sur-Oger, Cramant) and 45% Pinot Noir (Mareuil-sur-Aÿ, Verzenay) and featuring only 2.9% oak, this wine spent 115 months on its lees and was bottled with a 3.8g/L dosage. 8.3% red wine from Mareuil was used, which is a little more than they use in the NV. The thinking here is it needs just a touch more depth of colour and intensity to keep its colour as it ages. We tasted in bottle and magnum with the same comparison of crown-sealed v cork-sealed and, again, the comparison was equally enjoyable. The bottles were superbly clean, amazingly delicate, and resonant, with crystal-clean fraise de bois notes dominating. Not surprisingly, with a Chardonnay-dominant recipe, the finish brings acres of chalk to scour the taste buds with glorious minerality and tension. Both the bottle and magnum have this superb engine on display, and the main difference at this early moment in the magnum’s life is that it appears, although the difference is not as stark as it is in Louis, to have more power pushed forwards on the palate. Both formats are superbly calm and controlled, and a vault of power in the core will send this wine down the line for a good couple of decades. Do I have a preference? Yes, with Elisabeth, I feel the bottle format will be the most alluring for the short to medium term and with Louis, I cannot resist the magnums! I scored both wines equally because they are beauties, and I cannot pick between them so that the choice will come down to your menu or your guests’ preferences.

Matthew Jukes (19+)

Named after the first chef de cave at Billecart, Louis Salmon, Billecart has been making this style since the ’60s, and it never disappoints. While 2012 had a very tricky start to the season, a remarkable vintage emerged because the summer was superb. The French expression, ‘Août fait le moût’, meaning ‘the month of August makes the must’, or rather, August is largely responsible for the calibre of flavour of any vintage, is startlingly accurate in this wine. With low yields, a lengthy hang-time, and decent natural alcohol levels of 10.5%, this 100% Grand Cru made up of 60% Le Mesnil, 23% Cramant, 11% Chouilly, and 6% Oiry is a ravishingly refreshing wine. 25% was vinified in barrel, and it was aged for a mighty 115 months before being bottled with a lean 3.9g/L dosage. Mathieu Roland-Billecart surmised that the 2012 sits between the 2002 and the 2008 in style – not as austere as ’02 and with “more meat” than ’08. Interestingly, the bottles were aged under crown caps, and the magnums were cork-sealed for maturation. We tasted these two formats side by side, and they indeed showed some fascinatingly different characteristics. The bottle format seemed lovely, silky, super-long and gloriously even. It is a slender, willowy wine with a palate that flows briskly with intent. Its flanks are glassy-smooth, and all of the acidity is reserved for the serious finish, which echoes the NV that proceeded it, except this time, there is much more tension and verve on display. The cork-cap-aged magnum discreetly showed more breadth on the nose and a hint of toastiness on the palate. It seemed to have picked up more of the oak nuances, carrying them further forward on the palate. The other difference is that the magnum appears more profound, as it billows on the palate initially, however I can see both formats converging somewhat over time. While they are both exactly the same wine, they might never end up tasting identical because every time you open a bottle, taking a ‘snapshot’ of their flavours, they will not be at the same spot of their respective timelines, and this makes them both must-haves for the serious Billecart aficionado! Billecart also made a handful of jeroboams in 2012 – albeit in tiny quantities – so goodness knows how different this format would taste.

Matthew Jukes (20+)

08NF was made from 83% Grands Crus and 17% de Premiers Crus: 60% Pinot Noir from the Premiers and Grands Crus of the Montagne de Reims and the Grande Vallée de la Marne (Mareuil-sur-Aÿ, Aÿ, Ambonnay, Bouzy, Verzenay et Verzy); 40% Chardonnay from the Côte des Blancs (Mesnil, Chouilly, Cramant, Vertus); 17% of the wines were vinified in oak barrels, and it was aged on its lees for 150 months; The dosage is 2.9 g/l, and it was disgorged in January 2022. This super-deep wine dwells low in the glass with weight and depth of delivery that is completely unhurried. Vinous, powerful and with a full spectrum of fruit and patisserie, it is remarkable just how little citrus and herb there is on the front end of this staggeringly impressive wine. It is more layered and exotic than any current release Champagne I can think of, and then when it seems as though the scene is set, everything changes instantly. The palate drops about three gears revealing arresting zestiness and tanginess that completely engulfs the senses. I learned that this cuvée’s release was delayed by nearly two years because the back end was so twitchy, nervy and excitable. As it turns out, the Billecart gurus made the right call here – this is an electrifying wine, and the finish shows that the potential here is incredible. I am lucky enough to have tasted the 1959 and the 1961 Billecart-Salmon vintage wines, among others, and the DNA and detail in this 2008 are near-identical. While the top half of this wine is showy, flamboyant and seductive, the lower half is firm, chiselled, rigid and breath-taking.

Jancis Robinson (18)

Seductive and well-judged ‘reductive’ (smoky, struck-match) aroma and really toasty as it opens up, something cedary. Very Coche Dury but, most importantly, there is the fruit intensity to carry off this winemaking style. Nutty, creamy, mealy citrus. So many things going on that it makes you slow down to try to enjoy all this complexity. Deep, deliciously fresh and incredibly persistent with an aftertaste of savoury/mineral citrus. Worth every penny of its NZ price of $45 (from the producer's website). Classy and got better and better over the few days post opening.

Vinous (97)

The 2021 Chardonnay Reed Vineyard is pure, harmonious and suave, caressing the mouth with its gentle texture and purity. It's not showy but a wine worth getting to know: it provides cognitive and sensory pleasure. You can expect almond, oatmeal, smoky nuts and party popper aromas. Yes, party poppers. I really love the smell of party poppers, so I want to keep smelling this and having a little party shimmy. Pure and textural with a gourmand character that will make you want to lick your cheeks to keep tasting it. Already good; this is going to be great.

Essi Avallen MW (93-95)

On this vintage with a prolonged growing season Bollinger played the cool card, choosing to go with a high proportion of Verzenay fruit (51%). The combination of cool vintage and cool terroir is truly attractive for a blanc de noirs. Already the nose has lovely zingy fruitiness to it, lemon custard, perfectly ripe peaches and elegant spicy and chalky tones. The ensemble comes across as elegant, super juicy and purely fruity. My favourite of Bollinger limited editions so far!

Tyson Stelzer (97)

PN AYC18 is a showpiece for the expansive dimensions, intoxicating allure and purity of Aÿ pinot noir; a wonderfully characterful blanc de noirs that celebrates the sumptuous fruit generosity of 2018 and the purity and precision of this fabled cru. With the generous tones of a full straw hue and a blush tint, it ripples with grand fruit depth of red cherries and perfectly ripe plums. The magnificent depth of complexity that is Bollinger rumbles in deep reserves, reminiscent of fruit mince spice and dried nectarines. I love that it is so emphatically Aÿ, so intrinsically Bollinger, and yet all transposed with the transparency and delicious fruit generosity that is 2018. It holds fantastic, succulent allure on a very long finish; the ripeness of 2018 translating in supple, silky fruit generosity, yet in no way heavy or broad, beautifully energised by the fine chalk salinity and pure acid freshness that make Aÿ such a beloved place.

Decanter (93)

The nose is remarkably fine and complex, expressing scents of orchard fruit, white peach, apricot, and lemon with a touch of verbena. On the palate, the immediate impression is of a certain unctuosity providing great charm, and even the structure has round contours, but it seems to tighten on the chalky, airborne finish. The salinity that marked the previous two iterations of this PN series seems less present, with this one having more notes of pastry and hazelnuts as well as some zesty citrus, but airing adds an iodine-like tang. This is a Champagne that should pair well with fresh fish and shellfish dishes. 100% Pinot Noir. Dosage: 4 g/L. Disgorgement: January 2022.

Richard Juhlin (95)

The presentation is brilliant and is reminiscent of the house's legendary blanc de noirs Bollinger ’Vieilles Vignes Françaises’….. A Verzenay blanc de noirs with sprinkles of Aÿ, Bouzy and Tauxières, where 50% of the wine comes from 2015 with reserve wines on magnum dating from 2009. Verzenay and Aÿ are, as you know, the dominant villages in Bollinger's vintage wines. Verzenay is often the chalky and mineral-rich backbone of Bollinger's vintage build-up. The wine is vibrantly fresh, mineral-driven and extremely pure. There is a clarity and sharpness that is outstanding, where gunpowder notes and aroma of grilled meat develop as the glass warms up slightly. I love this wine as it is a perfect creation from one of the most important villages in the whole of Champagne dominated by the aforementioned minerality, but also with notes of violet and red grapefruit so typical of Verzenay of the highest class. On aeration the scent develops more and more notes of pears, figs and freshly baked baguette and the taste develops towards peach and apricot jam. Personally, though, I will wait as long as I can before opening my own bottles to get the increasing depth of caramel and grilled hazelnut flavour that only time in the cellar can provide.

Decanter (95)

Produced exclusively from vineyards owned by Bollinger, this takes advantage of the dynamic equilibrium between the structured, robust Pinot Noir grape and a terroir that is late-ripening. Picking began on 25 September and delivered a wine with plenty of concentration and impressive freshness and balance, with expressive green apple fruit accented with notes of toast and smoke and a creamy, supple, and open texture. Dosed at 6 g/l. Disgorged in November 2020.

The Real Review (97)

Deepish red colour with a subtle tint of purple. The bouquet is savoury, complex and charcuterie-tinged, dried herbs too, the palate rich and generous, fruit-sweet at the core and almost plush in its texture. A succulent pinot. There are ample tannins supplying backbone and contributing to length, all in harmony with the gorgeous richness of flavour. A stunning pinot.

Vinous - Antonio Galloni (97)

Nicolas Audebert and his team have done it again. The 2017 Canon is shaping up to be one of the wines of the vintage. Rich and vertical in construction, the 2017 possesses off-the-charts richness and intensity in all of its dimensions. In the glass, the 2017 is sumptuous and layered, with superb detail and tons of sheer pedigree. In 20 years, readers will have a fabulous time tasting the 2015, 2016, 2017 and 2018 together and debating their respective merits. Dark plum fruit, striking Franc aromatics and the clean, focused energy of Saint-Émilion's limestone plateau make for a ravishing, exquisite wine of the highest level. In a word: breathtaking.

Wine Spectator (96)

This red is all about finesse, delivering superb balance and complexity, with cherry, raspberry, earth and wild herb aromas and flavors. Succulent and charming, yet with a solid base of tannins and vivid acidity, this remains focused through the long aftertaste. Best from 2026 through 2042. 4,575 cases made, 3,000 cases imported.

James Suckling (96-97)

This is very classically structured with a palate that starts off slowly. Full-bodied and chewy with a soft, creamy texture and a long finish. Savory. A touch austere. 52% cabernet sauvignon, 42% merlot and 3% cabernet franc, the rest petit verdot.